![]() It’s already common for insert studios to place talent and guests in front of a large video screen with a graphic displayed on it - and shoot tight enough so it’s not obvious it’s just a screen. TV and computer monitors - either ones the talent already has or that are brought in for the occasion, can be used as digital backgrounds or OTS elements.Since you’re in someone’s home, consider removing any personal photos or artwork that talent might not want showing up on air (in some cases, you may also want to avoid showing certain copyrighted posters, prints or even paintings behind talent).Other good options include bookshelves (check what titles are on it or flip spines around), a desk or workstation or even a temporary background created using a sheet, curtains or other fabric.Printed backgrounds attached to the wall or propped up behind talent can also be a good option as long as any glare is minimized.A blank wall (or one that can be cleared to be blank) is a good option.“Their lives, their stories really interested me.During these unprecedented times using whatever background is available ( even a kitchen) is more than acceptable, but if you have time to prep, there are other options: When I wasn’t in school, and if I wasn’t at home, I would probably be at the dance studio studying, playing, sleeping,” Tsay said. “The dance community was a very kind and nurturing household. For him, he says, it still feels like home. In the early days, the studio was also an escape for his family of four, he recalled, who crammed into a one-bedroom apartment when he was young. “We gave them the space … to be rooted so you can have this anchor for this life in America.” “For dancers who immigrated over at that time, there wasn’t really a space for them to say, ‘Hey, this is my private studio.’ It was really erratic, scheduling space-to-space with their students,” Tsay said. ![]() After his grandmother opened the studio more than three decades ago, his mother, Yvonne Hwei Fung Lin, joined the business, taking on managing duties and developing a mission to help immigrant instructors get on their feet. The ballroom, he said, has been a fixture for many Asian Americans and other immigrants for some time. “If we really closed the business, if we really closed off the dance community, that would be admitting that the gunman, the perpetrator, would have won.” “They just realized that the identity of dance itself was something that stood as a monument to our strength, so we didn’t want that to go,” Tsay said. And last weekend, their dance hall hosted a memorial event featuring mental health resources, a dance lesson and, of course, a community dance party. While many have been contending with the fear of another violent event, Tsay said the community has kept dancing. Tsay said his family’s ballroom reopened a few weeks after the incident. But the federal national background check system has been heavily criticized for its loopholes, including a provision that allows dealers to sell weapons while the background check is still pending after a third business day. You can’t just have anybody who wants one, get one.”Ĭalifornia has some of the strictest gun laws in the country, banning assault weapons and requiring strong background checks. “Things of that caliber, like weapons of mass destruction - which is what they are - can be highly destructive,” Tsay said. Having gone through that experience, Tsay said he still feels that people have the right to protect themselves through firearms - but that there needs to be a line drawn. Harrowing surveillance footage shows a violent shoving match as Tsay managed to get a hold of the weapon - described as a “semi-automatic assault pistol” - from Tran and point it at him. Tsay had been closing up the front office for the night when he heard a sound coming from the shooter’s weapon. While law enforcement has still not identified a motive, those who knew him say that Tran was part of the ballroom community. “We really see a need to restrict assault weapons, especially the abuse of power and using such weapons without proper training or licensing or knowing how to safely operate a weapon of that caliber.”Ī year ago, Huu Can Tran, 72, killed 10 people and wounded nine at the now-closed Star Ballroom Dance Studio before heading to the Lai Lai Ballroom & Studio, where Tsay confronted and disarmed him. “People are really scared,” he told NBC News. 21, Tsay is calling for more reforms to gun legislation. ![]() On the first anniversary of the shooting on Jan. But he says what he calls a “golden bubble” around his heavily Asian American community has burst, and the reality of gun violence has sunk in. Tsay, 27, said his anxiety has lessened since getting mental health help last year.
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